CeltX is an online software system and also offers a host of desktop software. Now, it has blossomed into a much more impressive flower. At the time, it was a good program, but very much a poor man’s Final Draft. Still, my affair with CeltX was fairly brief. I have tried many other screenwriting programs over the years (I forget most of them) but the only viable competitor in my view was CeltX. I also noticed that it had garnered some serious competitors. However, as the years passed, and I purchased subsequent editions of Final Draft, I noticed that the program seemed to be getting worse and worse. thesis (a screenplay called The Sandman). I wrote many other things in Final Draft, including my M.A. (Although I have always paid either a student or an educator rate, rather than the full rate, it’s a pricey program even at these discounts.)Īt the time, Final Draft was pricey but a godsend. At the time, there were no real competitors for Final Draft. Thus began my love-hate affair with Final Draft. That’s how we ended up with a very strange credit, to the effect that the screenplay of Snake River was based on a screenplay that we wrote.Īll of these movies were written in Final Draft. Joe later ended up taking Way of the Samurai and reworking the script as a western, then shot the feature as a micro-budgeted independent film called Snake River. Then we more or less stopped writing samurai films. We wrote two more features, which had samurai elements but were more modern in their settings: Yakuza and Samurai on 47th. This script secured the “attachment” of Hiroyuki-Tagawa, but ultimately didn’t find funding. So, we wrote a second feature called Way of the Samurai. However, the story was too similar to Tom Cruise’s movie The Last Samurai, and the main character (like Cruise’s, a white foreigner) wasn’t a role for Hiroyuki-Tagawa. The first of these scripts, Son of the Storm, captured the interest of a Hollywood producer and also the actor Cary Hiroyuki-Tagawa. All of the films were based on his story ideas, which we then developed and reworked. ![]() We were “hired” for very little money, but nevertheless were hired, and wrote four feature-length films for Joe. I met David Navratil in that class, and somehow we ended up getting hired as screenwriting partners by Joseph Novak, to write some samurai movies. I first began screenwriting while studying under George Toles (the co-screenwriter of many Guy Maddin movies) at the University of Manitoba, in the early 2000s. ![]() The details are below, including a bit of my history with other software and other ways of working. The nutshell is that I plan and write everything in Scrivener and then output it to Highland to polish and format. (From time to time, I also use the Notes application on my iPad or iPhone, but then I dump that into Scrivener.) Although I have tried many combinations, at present I just use and recommend two programs: Scrivener (where I do ALL of my writing) and Highland. Sometimes I’m asked about my workflow for screenwriting - what software I use, and so forth.
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